Ahead of the release of Singer Studios’ much-anticipated Trailblazer, Eloise Singer was recently invited to give a masterclass on VR filmmaking at the inaugural Picturehouse Create. The successor to Sundance London, Picturehouse Create saw hundreds of film, TV, and gaming industry experts come together at Picturehouse Central to network discuss the current state of the entertainment medium.
Eloise took to the stage in Screen 4 of Picturehouse Central alongside Dave Raynard, CEO of Dream Reality Interactive and seasoned video game industry veteran. Filmmaking Certificate graduate Eloise is no stranger to the spotlight, having recently been nominated alongside her team for an Emmy for previous project The Pirate Queen, which stars screen legend Lucy Liu.
Eloise recounted the story of The Pirate Queen’s long journey to the screen, with initial plans to develop a feature length film scuppered by Covid in 2020. She and Ranyard discussed the merits of VR as a filmmaking tool in this light, with the project saved from cancellation thanks to VR’s strengths as a remote work medium. Soon enough, their prototype was picked up by Meta for funding, and the full version – with Lucy Liu attached – ultimately won the Storyscapes Award at Tribeca Film Festival and the Discovery Award at Raindance Film Festival.
A chance encounter with a BAFTA-winning producer
Eloise’s next project with Singer Studios, Trailblazer (starring Daisy Ridley), began to form swiftly after The Pirate Queen’s success. She shared an anecdote with Picturehouse Create’s audience on how she landed BAFTA-winner Lesley Paterson as an executive producer, highlighting the power of serendipity in the film and entertainment industry:
Stories like this emphasise the importance of making impressions on the people you meet in your filmmaking journey, regardless of what stage of that journey you’re at. Bottom line: people remember enthusiastic and friendly people. Throughout her masterclass session, Eloise reiterated that the lines in the entertainment industry are becoming more and more blurred when it comes to the ways in which filmmakers tell their stories:
Low-budget options for VR filmmaking
VR has a justified reputation for being an expensive medium to work within, especially when working in the realm of video game design. However, Eloise emphasises that there are low-budget options which are well worth exploring:
As Singer Studios gears up for Trailblazer’s release next month, London Film Academy wishes Eloise and her team the best of luck and is looking forward to our students and staff experiencing it.